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Watch Early Music!

Videos listed in no particular order

Opera Essentia presents “Rosmene’s Choice”, the One Act Distillation of Handel’s Imeneo

An excerpt of Ars Lyrica Houston's production of Dido and Aeneas

Full video of Opera Essentia's performance of Handel's Orlando

Choir of St. Luke in the Fields 2021–2022 Concert Season
Choir of St. Luke in the Fields 2020–2021 Concert Season

Abendmusik, New York's Period Instrument String Band concerts on-demand

San Francisco-based ensemble Voices of Music's YouTube channel with many HD videos of wonderful early music performances.

ARTEK's YouTube channel with many of their presentations from the past two years.

Polyhymnia's YouTube channel with their "Music in Isolation" series and concert videos.

Zenith Ensemble presents two new videos made during a residency at Aldworth Manor in Harrisville, NH.

The Renaissance Street Singers webcase series.

Harold Rosenbaum's Channel featuring the New York Virtuoso Singers and the Canticum Novum Singers

Island Symphony Orchestra videos featuring violinist Rachell Ellen Wong

Quire of Cheahs – Choral music with Phillip Cheah

Blue Hill Bach Festival virtual performances

Cellist Elinor Frey

Gotham Early Music Scene YouTube channel

Midtown Concerts Archived Concerts

Aya Hamada, harpsichordist

House of Time YouTube Channel

Shirley Mirley's Doomsday Baroque Wonderland

Rebecca Pechefsky, harpsichordist, with Quarantine Couperin

John Mark Rozendaal, viols da gamba with Quarantine Consort

Niccolo Seligmann, multi-instrumentalist, with Unboxing Instruments

Home with Rachell – music with violinist Rachell Ellen Wong

Bálint Karosi, organ and harpsichord

Orchestra of St. Luke's Bach at Home Festival

Trinity Church Wall Street on-demand music videos

The Clarion Choir and The Clarion Orchestra

Parker Ramsay, harpist, harpsichordist

Kleine Kammermusik

Choir of The Church of St. Mary the Virgin, NYC

Repast Baroque Ensemble

Margot Rood, Soprano

Kenneth Weiss, harpsichord: Art of Fugue in Confinement

Sarah Stone, cello & viola da gamba: Bach Everyday & Communitea Chamber Music

Augusta McKay Lodge, violin

Georgina and Augusta McKay Lodge

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Click on the links below to read a few samples of our prior releases:

May 14, 2010 - Repast Baroque Ensemble

May 12, 2010 - Salon/Sanctuary Concerts

July 30, 2009 - ARTEK 2009-2010 Season

April 27, 2009 - Sinfonia New York FREE Chaconne Concert

GEMS is experienced in working closely with media to provide the information and people you need on a timely basis. We can make available music industry spokespeople, in-studio performing ensembles, recordings, feature articles, research, and more.

Feel free to call us at (212) 866 - 0468 or email us. We welcome your inquiries!

Thank you.

88 Jeff Spurgeon 300square smaller imageJeff SpurgeonWQXR's Jeff Spurgeon talked with Gene Murrow and ARTEK's Gwen Toth about the January 20th performance of Monteverdi's Vespers of 1610 on the 400th anniversary of the composition.

Watch the video here.

 

 

125 SchaeferJohn Schaefer"Manhattan Goes Medieval"
Interview with John Schaefer on New York City's WNYC radio show "Soundcheck," October 1, 2007

Hear noted violinist Robert Mealy (concertmaster of the Boston Early Music Festival Orchestra) and Gene Murrow (founder and Executive Director of GEMS) discuss the early music scene in New York and Boston. The show also includes live performances by Asteria, winners of the 2004 EMA medieval/Renaissance competition. 

http://www.wnyc.org/shows/soundcheck/episodes/2007/10/01

 

NYC Early Music on the BBC

Dear friends and colleagues,

The BBC produced two program(me)s about New York City’s burgeoning early music community. GEMS Executive Director Gene Murrow was interviewed at the start to “set the scene,” followed by interviews with several early music directors in the City, including Julian Wachner at Trinity Wall Street, Robert Mealy at Juilliard and Quicksilver Baroque, Gwen Toth and Dongsok Shin of REBEL and ARTEK, Jolle Greenleaf of TENET, Wen Yang of New York Baroque Incorporated, and Jeffrey Grossman of The Sebastians. There are also several musical examples to enjoy!.

Here's a link to the recorded broadcast:
http://www.bbc.co.uk/programmes/b07ht30g.

It was a pleasure to work with those folks; let's hope "there will always be an England."

Best,
Gene

"Association to Promote Early Music (Better Late Than Never)"
by Allan Kozinn, The New York Times, May 31, 2007

The founding and mission of GEMS. Read the article here.

"A Sense of Community in Gotham"
by Heidi Waleson, Early Music America, Fall, 2007
Feature article and photo about GEMS's mission and strategy. iconPDF

"Musicians, Workers, and the Union"
Letter to the Editor from John Mark Rozendaal iconPDF
Local 802 Allegro, August, 2007
Not exactly a feature, but a thoughtful letter from a working musician to the American Federation of Musicians local referencing GEMS's attempt to loosen restrictive union work rules for the benefit of the musicians.

GEMS Executive Director Gene Murrow conceived and organized the first New York Early Music Celebration in 2004 while General Manager of the Early Music Foundation, and wrote the successful applications for funding from the National Endowment for the Arts and the Robert Sterling Clark Foundation. The 10-day Celebration featuring over 60 performances garnered several positive reviews in The New York Times, and the following feature articles:
"A City Not Sleeping"  
by Heidi Waleson, Early Music America Magazine, Fall, 2004
Page 1 iconPDF
Page 2 iconPDF

"Concerted effort" iconPDF
by Anastasia Tsioulcas, Time Out New York, Sept. 30, 2004

"At Last, New York Gets to Brag"
by Allan Kozinn, The New York Times, December 26, 2004
Read the article here.

"A Watershed Moment for Early Music"
by Daniel J. Wakin, The New York Times, September 6, 2012

On the state of early music in New York City, citing GEMS, along with Trinity Wall Street, and Juilliard's Historical Performance program.

Read the article here.

"Preparing a Dainty Dish to Set Before a King"
by Allan Kozinn, The New York Times, September 27, 2010

The third concert of the GEMS Project 2010, featuring Asteria, Lionheart and REBEL.

Read the review here.

"Sounds Both Skin Deep and Soul-Piercing"
by James R. Oestreich, The New York Times, September 24, 2010

The first concert of the GEMS Project 2010 featuring TENET, Parthenia and Four Nations Ensemble.

Read the review here.

"Who Needs Carnegie Hall? Early Music in a Greenwich Village Club"
by James R. Oestreich, The New York Times, October 2, 2009

The GEMS Project 2009 at Le Poisson Rouge in the Greenwich Village.

Read the review here.

"Downsizing Sacred Works for Intimacy of a Chapel"
By Allan Kozinn, The New York Times, March 29, 2010

The Sinfonia New York Players with soprano Jessica Gould and mezzo Jennifer Lane performed at the Salon/Sanctuary Concerts series.

Read the review here.

"A Baroque Gem’s Allure: The Repeated Bass Line"
by Allan Kozinn, The New York Times, May 27, 2009

Kozinn's review included abounding praises and exquisite photographs of the nearly "sold-out" performance.

Read the review here.

"Classical Favorites And Surprises"
by James R. Oestreich, The New York Times, October 20, 2008

Oestreich praises Sinfonia New York's first concert of the season, including the American premiere of the "Missa Hyemalis" by Franz Xaver Richter. Read the complete article.

"Early Music on the Menu, Three Groups on the Bill"
by Allan Kozinn, The New York Times, September 30, 2008

The second annual Early Music/Early Season concerts were reviewed again by Allan Kozinn. Read his praise and analysis here.

"A Divertimento and a Serenade, Played as in Mozart's Day"
by Vivien Schweitzer, The New York Times, June 2, 2008

Sinfonia New York's concert at the Society for Ethical Culture was reviewed by Vivien Schweitzer. Read the article here.

"Old Works Endeavor to Attract New Fans"
by Allan Kozinn, The New York Times, October 9, 2007

And attract them we did, as Mr. Kozinn reported in his thorough review of GEMS "Early Music/Early Season" concerts at The Times Center Stage on October 7th. Read the entire review.

"The Oldest of Sounds Arrive in a Brand New Setting"
by Bernard Holland, The New York Times, October 6, 2007

Times critic Bernard Holland discusses the Times Center's acoustics and the four groups performing on the October 4th concert here.

"Trumpet Blast From the Past"
review by James Oestreich, The New York Times, October 3, 2007

A stunning photo of Sinfonia New York's debut at Town Hall, with a review by James Oestreich, who wrote "If my job permitted cheerleading, I might do some cartwheels and even risk a split." Read his kudos (and quibbles) in the complete review.

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GEMS is a non-profit corporation that supports and promotes the artists and organizations in New York devoted to early music — playing repertoire from the Medieval, Renaissance, Baroque, and early Classical periods.